{"title":"Thomas Moran","description":"\u003cp\u003eThomas Moran (1837-1926) went west with the 1871 Hayden Survey and came back with the watercolours that convinced Congress to create Yellowstone. His canyon and hot spring canvases combine Turner's light with a topographer's accuracy, and they remain the definitive images of the American wilderness. Every work is reproduced on museum-grade cotton canvas with archival giclee printing, printed to order and hand-framed in your choice of Gold, Silver, or Dark Bronze, sized Small through Estate.\u003c\/p\u003e","products":[{"product_id":"thomas_moran__cliffs_of_green_river","title":"Cliffs of Green River – Thomas Moran, 1874","description":"\u003ch2\u003eCliffs of Green River by Thomas Moran, 1874\u003c\/h2\u003e\u003ch3\u003eFramed Canvas Art\u003c\/h3\u003e\u003cp\u003eThis celebrated western landscape commands attention through its monumental sandstone butte, rendered in molten amber, burnt sienna, and tawny gold as afternoon light rakes across its sheer face. \u003cstrong\u003eCliffs of Green River\u003c\/strong\u003e organizes its composition along a sweeping horizontal axis: the calm, mirror-still surface of the Green River occupies the middle ground, reflecting the warm sky above in tones of pale champagne and rose-tinged silver, while a broad, grassy floodplain anchors the foreground in muted olive and ochre. \u003cstrong\u003eA lone rider fords the river at center\u003c\/strong\u003e, his silhouette small against the immensity of the cliffs, reinforcing the scale of the terrain with quiet drama rather than spectacle. In the far left, a mounted procession moves along the valley floor, threading through sage and scrub beneath a sky of luminous, cloud-broken blue. Moran's brushwork shifts register across the canvas: the rock face is built up in broad, confident strokes that follow the geology of the formation, while the water is handled with a delicate, glassy smoothness entirely distinct from the rougher passages of vegetation below. This command of differentiated surface texture within a single work is among the hallmarks of Moran's mature \u003cem\u003eAmerican Luminism\u003c\/em\u003e-inflected style.\u003c\/p\u003e\u003cp\u003eMoran made his first journey to the Green River region of Wyoming in 1871, traveling as part of the Ferdinand V. Hayden geological survey of Yellowstone, and the Wyoming landscape seized his imagination so thoroughly that he returned to its subjects repeatedly through the 1870s and beyond. \u003cstrong\u003eCliffs of Green River\u003c\/strong\u003e, dated 1874, belongs to the years immediately following that transformative expedition, when Moran was working at the peak of his powers and his grand western canvases were reshaping how Americans understood their own continent. His enormous \u003cem\u003eThe Grand Canyon of the Yellowstone\u003c\/em\u003e (1872) had already been purchased by Congress for ten thousand dollars, making him the first American artist to achieve that distinction, and the Green River series that followed rode a wave of critical and popular enthusiasm for monumental western scenery. The painting participates in the broader tradition of \u003cem\u003eAmerican Sublime\u003c\/em\u003e landscape painting descending from the Hudson River School, yet Moran's palette, saturated with the warm chromatic intensity he absorbed from J. M. W. Turner during a formative 1871 study trip to England, pushes the work toward something more theatrical and chromatic than Thomas Cole or Asher B. Durand typically permitted themselves. The result is a vision of the American West that is simultaneously documentary and operatic, grounded in observed geology yet suffused with a golden idealism that helped cement the mythology of the frontier landscape in the national imagination.\u003c\/p\u003e\u003cp\u003eOur archival \u003cem\u003egiclee\u003c\/em\u003e process on museum-grade cotton canvas is particularly well suited to a painting of this tonal complexity. The subtle gradations across the butte's face, where warm amber at the sunlit crown dissolves through copper and rose-ochre into the cooler, shadowed base, require an ink gamut and substrate capable of holding that transition without banding or color shift; our pigment-based archival inks on heavyweight cotton canvas reproduce that passage with the same stepped luminosity visible in museum examination. The \u003cstrong\u003eglassy surface of the Green River\u003c\/strong\u003e, with its pale silver-gold reflections set against the darker, reed-fringed banks, demands the full dynamic range of our printing system, from the deep umber of the shadowed foreground grasses to the near-white highlights where sunlight catches the water's surface. Our source files are derived from high-resolution institutional scans, digitally restored to recover the accurate warm undertones and atmospheric sky detail that low-resolution poster reproductions typically collapse into flat, overexposed passages. The ornate composite frame, finished in antique gold, echoes the painting's own amber and gilded palette, completing the work as it would appear in a serious private collection or period-appropriate gallery installation.\u003c\/p\u003e","brand":"CanvasClassics","offers":[{"title":"Small (25 x 17) \/ Gold","offer_id":49228503089387,"sku":"2180111","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (25 x 17) \/ Silver","offer_id":49228503122155,"sku":"2180112","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (25 x 17) \/ Dark Bronze","offer_id":49228503154923,"sku":"2180113","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 21) \/ Gold","offer_id":49228503187691,"sku":"2180121","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 21) \/ Silver","offer_id":49228503220459,"sku":"2180122","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 21) \/ Dark Bronze","offer_id":49228503253227,"sku":"2180123","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 27) \/ Gold","offer_id":49228503285995,"sku":"2180131","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 27) \/ Silver","offer_id":49228503318763,"sku":"2180132","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 27) \/ Dark Bronze","offer_id":49228503351531,"sku":"2180133","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 34) \/ Gold","offer_id":49228503384299,"sku":"2180141","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 34) \/ Silver","offer_id":49228503417067,"sku":"2180142","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 34) \/ Dark Bronze","offer_id":49228503449835,"sku":"2180143","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/8606\/6923\/files\/thomas_moran__cliffs_of_green_river__small__gold.jpg?v=1786750567"},{"product_id":"thomas_moran__green_river_cliffs_wyoming","title":"Green River Cliffs, Wyoming – Thomas Moran, 1881","description":"\u003ch2\u003eGreen River Cliffs, Wyoming by Thomas Moran, 1881\u003c\/h2\u003e\u003ch3\u003eFramed Canvas Art\u003c\/h3\u003e\u003cp\u003eThe panoramic sweep of \u003cstrong\u003eGreen River Cliffs, Wyoming\u003c\/strong\u003e unfolds across a wide horizontal canvas that mirrors the vast, open scale of the American West itself. Moran saturates the composition in the molten golds and deep vermilions of late-afternoon light, which strike the towering sandstone buttes and cliffs with an intensity that makes the rock faces appear almost incandescent. \u003cstrong\u003eA line of horsemen and wagons threads along the foreground trail\u003c\/strong\u003e, their silhouetted forms moving from right to left across a pale, sandy plain dotted with sage and scrub. The Green River catches the last light in the middle distance, its surface a luminous silver-rose ribbon that anchors the vast scene. Above the cliffs, the sky opens into a theatrical expanse of cloud-streaked blue dissolving into warm peachy pink at the horizon. Moran's brushwork is panoramic in ambition yet precise in detail: the striated faces of the cliffs are rendered with geological attentiveness, while the foreground figures and vegetation are handled more loosely, directing the eye toward the radiant rock formations that are the true subject of the work.\u003c\/p\u003e\u003cp\u003eMoran painted this canvas during one of the most productive decades of his career, following his celebrated expeditions to Yellowstone in 1871 and the Grand Canyon in 1873. By 1881 he had established himself as the foremost painter of the American West, and the Green River region in Wyoming held particular personal significance for him; he had first visited the area in 1871 en route to Yellowstone and returned repeatedly because of its distinctive geology and extraordinary light. The site's dramatic buttes and cliffs, eroded into monumental columns and plateaus of red and white sandstone, gave Moran exactly the kind of sublime natural architecture he sought to document and interpret. Working within the tradition of \u003cem\u003eAmerican Luminism\u003c\/em\u003e and the broader \u003cem\u003eHudson River School\u003c\/em\u003e, Moran brought to Western subjects the same reverence for light and the same belief in landscape painting as a vehicle of national meaning that his eastern predecessors had applied to the Catskills and the White Mountains. His Western canvases were instrumental in building public and congressional support for the establishment of the national park system, and works such as this one circulated widely through exhibition and engraving, shaping how Americans imagined their own continent.\u003c\/p\u003e\u003cp\u003eOur archival giclee process on museum-grade cotton canvas is particularly well-suited to a work as tonally complex as \u003cstrong\u003eGreen River Cliffs, Wyoming\u003c\/strong\u003e. The subtle gradations from the deep russet shadows at the cliff bases through the blinding amber and white of the sun-struck rock faces demand an ink and substrate combination capable of holding detail across an unusually wide dynamic range; our process delivers exactly that, preserving the distinction between the warm ochre midtones and the near-white highlights that lesser reproductions collapse into flat orange. The loose, calligraphic strokes Moran used in the foreground scrub and the finely blended cloud passages both read with full fidelity on the textured cotton surface. Our source file has been digitally restored from high-resolution museum scans, correcting the color shift and loss of shadow detail that afflicts most available reproductions of this painting. The ornate composite frame, finished in warm antique gold, mirrors the painting's own palette of amber, gold, and sienna, completing the work as it would have appeared in a Gilded Age gallery.\u003c\/p\u003e","brand":"CanvasClassics","offers":[{"title":"Small (25 x 15) \/ Gold","offer_id":49228503646443,"sku":"2180211","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (25 x 15) \/ Silver","offer_id":49228503679211,"sku":"2180212","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (25 x 15) \/ Dark Bronze","offer_id":49228503711979,"sku":"2180213","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 17) \/ Gold","offer_id":49228503744747,"sku":"2180221","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 17) \/ Silver","offer_id":49228503777515,"sku":"2180222","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 17) \/ Dark Bronze","offer_id":49228503810283,"sku":"2180223","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 22) \/ Gold","offer_id":49228503843051,"sku":"2180231","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 22) \/ Silver","offer_id":49228503875819,"sku":"2180232","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 22) \/ Dark Bronze","offer_id":49228503908587,"sku":"2180233","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 27) \/ Gold","offer_id":49228503941355,"sku":"2180241","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 27) \/ Silver","offer_id":49228503974123,"sku":"2180242","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 27) \/ Dark Bronze","offer_id":49228504006891,"sku":"2180243","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/8606\/6923\/files\/thomas_moran__green_river_cliffs_wyoming__small__gold.jpg?v=1786750567"},{"product_id":"thomas_moran__hot_springs_of_gardiner_s_river_yellowstone_national_park","title":"Hot Springs of Gardiner's River, Yellowstone – Thomas Moran, 1872","description":"\u003ch2\u003eHot Springs of Gardiner's River, Yellowstone National Park by Thomas Moran, 1872\u003c\/h2\u003e\u003ch3\u003eFramed Canvas Art\u003c\/h3\u003e\u003cp\u003eStanding before the tiered travertine terraces of what is now known as Mammoth Hot Springs, Thomas Moran captured one of Yellowstone's most architecturally dramatic geothermal formations in a composition that balances geological spectacle with human scale. \u003cstrong\u003eThe painting's foreground stretches across pale, mineral-bleached flats\u003c\/strong\u003e, where two or three small figures on foot provide a measure of the formation's immensity. The terraces rise in broad, chalky shelves of cream and ivory, stained at their edges and hollows with vivid bands of ochre, rust, deep crimson, and verdigris green, the colors of thermophilic bacteria and mineral deposits rendered with journalistic accuracy and painterly ambition in the same stroke. \u003cstrong\u003ePools of saturated turquoise and cobalt blue\u003c\/strong\u003e collect at the terrace lips and in the basin at center-right, their almost jewel-like intensity set against the warm sandstone tones of the stepped cliff face. Steam rises from several vents at the crest, dissolving into a sky that transitions from pale blue at the zenith to hazy white near the horizon, where distant ridgelines recede into atmospheric mist. Moran worked in the tradition of \u003cem\u003eAmerican Luminism\u003c\/em\u003e and the \u003cem\u003eHudson River School\u003c\/em\u003e, but his Yellowstone paintings push that tradition into something altogether more geological and theatrical: light here is not merely atmospheric but chemical, emerging from the interaction of steam, mineral surface, and open sky.\u003c\/p\u003e\u003cp\u003eMoran joined Ferdinand Hayden's 1871 United States Geological Survey of the Yellowstone region as the expedition's official artist, and the watercolors and sketches he produced in the field, including this work, became the visual record that persuaded Congress to establish Yellowstone as the world's first national park in March 1872. His large oil \u003cem\u003eThe Grand Canyon of the Yellowstone\u003c\/em\u003e (1872) was purchased by Congress for ten thousand dollars and hung in the Capitol, but the smaller watercolor studies like this one are in many ways the more intimate documents: rapid, precise records of color and formation made on site or shortly after, before studio revision could smooth away the strangeness of what he had seen. The hot springs of Gardiner's River (the Gardiner is the northern boundary stream of the park) were among the first features Moran sketched, and their stepped, mineral-painted terraces gave him a subject that was simultaneously landscape, architecture, and abstract color field. Within the broader arc of \u003cem\u003enineteenth-century American landscape painting\u003c\/em\u003e, these Yellowstone works mark the moment when the genre moved decisively from the pastoral East to the geologically extreme West, and Moran, more than any other painter, was responsible for that shift. His initials, T.Y.M. (Thomas Yellowstone Moran), reflect how completely the region defined his reputation.\u003c\/p\u003e\u003cp\u003eOur archival giclee process on museum-grade cotton canvas is particularly well suited to a work of this chromatic range and complexity. The subtle gradations from the \u003cstrong\u003enear-white travertine crust\u003c\/strong\u003e through the warm siennas and deep burgundies of the mineral-stained cliff face require a printing system capable of holding fine tonal steps without collapsing midtones into flat bands, and our calibrated wide-gamut process preserves each transition as Moran recorded it. The \u003cstrong\u003ejewel-toned turquoise pools\u003c\/strong\u003e and their contrast against the chalky terrace edges, one of the painting's most arresting passages, are rendered with the full saturation of the original rather than the washed-out approximation common in poster-grade reproductions. Our source file has been digitally restored from high-resolution museum scans, recovering the precise hue of the steam-hazed sky and the fine detail of the foreground mineral flat that degraded reproductions routinely lose. The ornate composite frame, finished in warm antique gold, complements the painting's own palette of ivory, ochre, and rust, creating a presentation that honors both the work's scientific origins and its considerable artistic ambition.\u003c\/p\u003e","brand":"CanvasClassics","offers":[{"title":"Small (24 x 19) \/ Gold","offer_id":49228504105195,"sku":"2180311","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (24 x 19) \/ Silver","offer_id":49228504137963,"sku":"2180312","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (24 x 19) \/ Dark Bronze","offer_id":49228504170731,"sku":"2180313","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 24) \/ Gold","offer_id":49228504203499,"sku":"2180321","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 24) \/ Silver","offer_id":49228504236267,"sku":"2180322","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 24) \/ Dark Bronze","offer_id":49228504269035,"sku":"2180323","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Large (42 x 31) \/ Gold","offer_id":49228504301803,"sku":"2180331","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (42 x 31) \/ Silver","offer_id":49228504334571,"sku":"2180332","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (42 x 31) \/ Dark Bronze","offer_id":49228504367339,"sku":"2180333","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 40) \/ Gold","offer_id":49228504400107,"sku":"2180341","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 40) \/ Silver","offer_id":49228504432875,"sku":"2180342","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 40) \/ Dark Bronze","offer_id":49228504465643,"sku":"2180343","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/8606\/6923\/files\/thomas_moran__hot_springs_of_gardiner_s_river_yellowstone_national_park__small__gold.jpg?v=1786750567"},{"product_id":"thomas_moran__the_grand_canyon_of_the_yellowstone","title":"The Grand Canyon of the Yellowstone – Thomas Moran, 1872","description":"\u003ch2\u003eThe Grand Canyon of the Yellowstone by Thomas Moran, 1872\u003c\/h2\u003e\u003ch3\u003eFramed Canvas Art\u003c\/h3\u003e\u003cp\u003eStanding at the rim of the Yellowstone canyon, Moran positioned himself to command one of the most vertiginous views in North American landscape painting. \u003cstrong\u003eThe Grand Canyon of the Yellowstone\u003c\/strong\u003e unfolds across a vast horizontal sweep: a foreground of cool, shadow-draped rock ledges and dark-needled conifers gives way to a blazing central gorge where sunlight strikes the canyon walls in long diagonal bands of \u003cstrong\u003emolten ochre, sulfurous gold, and iron-red\u003c\/strong\u003e. At the canyon's far end, the Lower Falls dissolve into a silver-white plume of mist, framed by a narrow corridor of deep cobalt sky. Two tiny figures stand at the canyon rim in the middle distance, their scale making the chasm feel genuinely geological. Moran's handling belongs to the \u003cem\u003eHudson River School\u003c\/em\u003e tradition in its commitment to panoramic grandeur and precise naturalism, yet the palette pushes well beyond that school's cooler conventions into something closer to \u003cem\u003eLuminism\u003c\/em\u003e: light here is not merely ambient but structural, carving form out of mineral pigment and defining depth through radiance rather than shadow alone. The composition's strong diagonal lines, from the upper-right cliff faces angling down toward the falls, pull the eye through successive planes of space with the discipline of a trained draftsman and the ambition of a history painter.\u003c\/p\u003e\u003cp\u003eMoran traveled to Yellowstone in the summer of 1871 as part of the Ferdinand V. Hayden geological survey, one of the first government expeditions to document the region systematically. It was his first visit to the American West, and the canyon's scale and its extraordinary mineral coloration clearly upended whatever expectations he had carried from the Catskills and the Adirondacks. He made extensive field sketches and watercolor studies on the spot, then composed this monumental oil, measuring roughly 7 by 12 feet, in his studio the following year. When Congress debated whether to set aside Yellowstone as the nation's first national park in 1872, Moran's painting was exhibited in the Capitol building alongside photographs by William Henry Jackson. Many historians credit that exhibition with tipping the vote in favor of preservation. The work was purchased by Congress for $10,000 and entered the collection of the United States Department of the Interior, where it remained a centerpiece of American landscape art for generations. Within \u003cem\u003eAmerican Romanticism\u003c\/em\u003e and the broader tradition of \u003cem\u003esublime landscape painting\u003c\/em\u003e, this canvas occupies a singular position: it is simultaneously a scientific document, a political instrument, and a fully realized work of art that extended the ambitions of \u003cem\u003eHudson River School\u003c\/em\u003e painting into entirely new terrain, both literally and aesthetically.\u003c\/p\u003e\u003cp\u003eOur archival giclee process on museum-grade cotton canvas is particularly well suited to a painting whose expressive power depends on gradation rather than gesture. The subtle tonal transitions from the \u003cstrong\u003ewarm, almost incandescent canyon walls\u003c\/strong\u003e down through the cooler ochres and rusts of the shadowed rock faces are rendered with full color fidelity, preserving the layered atmospheric recession that gives the gorge its genuine sense of depth. The fine detail of the conifer silhouettes against the pale sky, and the delicate silvery tracery of the falls within the mist, are recovered from high-resolution museum scans that have been digitally restored to correct the color drift and tonal flattening common in mass-produced poster reproductions. The dynamic range from the \u003cstrong\u003enear-black shadows of the foreground ledges\u003c\/strong\u003e to the \u003cstrong\u003ebrilliant white highlight of the Lower Falls\u003c\/strong\u003e is maintained without clipping, honoring the full luminous contrast Moran built into the original. The ornate composite frame, with its warm gilded finish, picks up the painting's dominant golds and ambers, complementing the canyon's mineral palette while presenting the work with the formal authority its scale and historical importance deserve.\u003c\/p\u003e","brand":"CanvasClassics","offers":[{"title":"Small (25 x 18) \/ Gold","offer_id":49228504760555,"sku":"2180411","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (25 x 18) \/ Silver","offer_id":49228504793323,"sku":"2180412","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Small (25 x 18) \/ Dark Bronze","offer_id":49228504826091,"sku":"2180413","price":195.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 21) \/ Gold","offer_id":49228504858859,"sku":"2180421","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 21) \/ Silver","offer_id":49228504891627,"sku":"2180422","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Medium (31 x 21) \/ Dark Bronze","offer_id":49228504924395,"sku":"2180423","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 28) \/ Gold","offer_id":49228504957163,"sku":"2180431","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 28) \/ Silver","offer_id":49228504989931,"sku":"2180432","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Large (43 x 28) \/ Dark Bronze","offer_id":49228505022699,"sku":"2180433","price":495.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 35) \/ Gold","offer_id":49228505055467,"sku":"2180441","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 35) \/ Silver","offer_id":49228505088235,"sku":"2180442","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Estate (55 x 35) \/ Dark Bronze","offer_id":49228505121003,"sku":"2180443","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/8606\/6923\/files\/thomas_moran__the_grand_canyon_of_the_yellowstone__small__gold.jpg?v=1786750567"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/8606\/6923\/collections\/thomas_moran__the_grand_canyon_of_the_yellowstone__small__gold-7574336.jpg?v=1787185731","url":"https:\/\/canvasclassics.shop\/collections\/thomas-moran.oembed","provider":"Canvas Classics","version":"1.0","type":"link"}